Freshly after screening "Wanted" saturated my black thoughts. If the material so the average, how pretentious and simple design cepa as Stupid Mark Millar's comics, you can do pretty smooth style movie Superbly seasoned with special effects and unpretentious dialogue, what is the chance that a good, original scripts float to the surface of the sea septic tank floods Every summer our cinemas.
doubtful consolation is the fact that the film is far, far in the safe center, in relation to the original comic. Well, for what the script adapted from the lion's share of renouncing the reference material? Or go after the gang, or do racing cabs. If the main character of "Wanted" is intended as Millar drunk impunity, violence and absolute lack of moral nihilist brakes, why turn it into a bit rude, but still a noble young man? Why do the politically incorrect villains gallery (comes to the fore at the same time endowed with superman strength and Down syndrome jełop) bełkocących redeemable for something mystical destination spindle-assassins?
Why linger if the movie I liked it quite? Well, because it irritates me uncritical use by Hollywood scriptwriters from, really, vulgarity quality foundations to build a scenario. Did you call the movie adaptation, which in addition to scratching the main thread and a few tiny borrowings, has a comic archetype in four letters? That's not apparent from the discrepancy between the language of cinema and comics. That's how much you can get closer to the original paper, while creating a great piece of cinema, Miller and Rodriguez have shown in "Sin City".
In "Wanted," the problem is that the comic is the work of a very weak one. Not find in the monologues Hartigan, or even substitutes emotional charge, which carries every scene from Marve in the foreground. "Wanted," Millar was the beginning of a career. Shocking, blazed the way for artistic development. In the film, Bekmambetov could not accept the mediocrity - it's the director has experienced and shaped. Even in the mega-Hollywood, "Wanted" easy to feel his willingness to mix almost ballet dance to the fight and special effects with the effects of painting.
After leaving the theater feeling unsatisfied quickly given way to hope ... If a cheerful teenager (or wczuwający in their needs California spec from promotion) took to be so weak and at the same time, "subversive" material, perhaps film will see a different, much better (and far more iconoclastic) comics. Dreamed up ... Jesse Custer and looked over his shoulder and threw the voice of James Purefoy'a --- "Do not fuck Almighty ...".
